4/10/2023 0 Comments Maquette art definitionIt is this ethos, that lead Clive to reuse painted artworks, cutting them into pieces, automatically, and reassembling them on an intuitive basis. Sensing and glimpsing the curious nature of ‘hard to see fragments’ of the beauty unseen, leads her to paint abstract works informed by the microscopic level of our existence.Ĭlive aims to make her practice as sustainable as possible, recycling and reusing materials, bought materials are sustainably sourced. ![]() Julie Clive’s practice draws from the natural world of rocks and minerals. Elsewhere, chance and accident offer unintended juxtapositions, interpretations and potential narratives. These fragments are framed within atmospheric glimpses of their environments and contexts, with no intervention on location and minimal post production. Whilst usually the residues of illegal acts of vandalism, touching traces of 'being human' can sometimes be found: a cathartic or intimate declaration, a personal message, an affection, a proposition, a confession, a playful moment (or by contrast) an expression of loss or jealousy, a violent outburst, a retraction, a corrosive attack with fire or acid, an abrasion, an incoherent gesture akin to primal automatism. It is rarely clear how or why they emerged, but these raw, ambiguous, layered ghosts reveal a particular calligraphy and trigger a sense of forensic curiosity. Gradually, new elements arrive and coexist - often briefly - leaving an echo of what each space has witnessed. Hannah Fry & SARAH project: ”Scratch - Urban Palimpsests” examines naturally occurring assemblages, in the form of found glass surfaces in various locations, usually street furniture such as phone boxes and bus shelters. Over time, various narratives emerge on these surfaces, combining natural material (detritus, moisture, weathering) with deliberate interventions (scratching, scoring, depositing, smearing, sticking). Ultimately, I view perfection as an inherently unsustainable trait of human society, and identify the rejection of which, both in art and in material culture in general, as a radical act. My practice centres around sustainability in contemporary art, aware of the impact the art world has on the environment, and it’s obsession with “perfection”. The production of these works involve actions such as tying, fastening, folding, and moulding which are central to my assemblage process, producing temporary sculptural forms with elements that are perpetually reused producing temporary unions of matter. The vase works bring together synthetic and natural materials that have hugely disproportionate life spans, the improvised vases made from waste plastics fastened together will outlive its contents, the dried palm fronds by millennia. This vibrant and eclectic show includes a variety of art forms which involve the unification of found or pre-existing material including collage, sculpture, installation art and photography.īella two works are part of a larger series of sculptural works produced from waste plastics and found materials, and a wider exploration of the archaeological legacy of the anthropocene the materials and forms that might be left once humans have vanished from the Earth. ![]() Artists have been selected based on how their visual narratives are generated and distorted when their chosen materials combine and collide.Īssemblage artists collect and merge pre-existing materials, transforming their old connotations and functions through their creative process. This exhibition celebrates the work of artists who explore fluid narratives through the art of assemblage by unifying found objects and materials into partially abstract, ambiguous forms. The artist’s obsession with collection and assemblage can be seen across the work of our selected artists. It is defined as art that is made by assembling disparate elements – often everyday objects – scavenged by the artist or bought specially to create a work (TATE). ![]() The term ‘Assemblage’ was first coined by artist Jean Dubuffet in the 1950s to describe the process of assembling materials into newly constructed forms.
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